Lightweight Cotton Wrapper

I'd been wanting to make an 18th century style wrapper for ages. I had made a wearable mockup in 2023, but didn't have any stash fabrics I wanted to use for the next attempt.

But earlier this year I came across a great fabric for it - not historically accurate, but well suited to a more fantastical version of a wrapper. It was a 100% cotton duvet cover from the thrift store, with a digital print of a foggy evergreen forest, with a dark green lining.

I'd never really considered duvet covers as a fabric source before (despite having seen other people make clothes out of them) because I don't like duvets and never think about them, but I saw a bit of that tree print sticking out as I walked by and it caught my attention. Very convenient how they come with a co-ordinating lining in the same size!

I don’t remember what the size was because I threw out the tag when I first bought it and took it apart, but the resulting fabric panels were each 2.54 metres by 2.15 metres. There was piping around the edge and I saved the cord from that.

This style of simple T shaped wrapper was popular through the entire 18th century, and was an informal "undress" garment for wearing at home. From what I've seen in portraits they appear to have been cut larger in the late 17th and early to mid 18th century, and tighter towards the end of the century.
A lot of sources call them banyans, but from what I understand it's the more fitted ones are banyans and these loose ones are wrappers? Unsure. I have a pinterest board with many examples of both though.

c. 1735-40, The Met.
(Though The Met is not good at dating clothing.)

I came across this pattern diagram years ago on pinterest and couldn't find the source, but then eventually someone on tumblr identified it and found a log of the website it came from on the internet archive.

(source)

It says the images originally came from a book called Histoire du Costume, Volume 10, 1678-1725 by Maurice Leloir. The book text isn't on the website page, only the pictures and captions.

I'm ignoring those two centre front extension bits and just doing the basic tunic shape with a simpler collar style.

Since this kind of pattern is very large and mostly straight lines I didn't make a paper pattern, I just measured and drew the lines on the fabric.

The mockup I'd made a couple years before was a bit smaller than I wanted, but it still fit, so I made the sleeves and upper body a bit looser. 

Here's my very messy sheet of measurements. 

I made the sleeves extra long because I wanted wide turned up cuffs. The underarm area is a bit rounded instead of being a sharp angle, which adds some more room in a similar way to gussets.

I cut out the lining all in one piece, folded at what will be the top and centre front so it's all symmetrical.

I trimmed the bottom edge to be rounded so the corners where it meets the side piece were at right angles, which is important to keep the hem smooth and even. 

Before cutting the outer layer I had to change the tree fabric around a bit. The print was arranged landscape style on the rectangular piece of fabric, which meant I couldn't cut it all in one piece. 

It was also much wider than the length of the wrapper pattern. 

I figured out roughly where I wanted it to be placed in order to best capture the tree gradient, and tore the excess strip off the light edge of the fabric.

I cut the remaining piece in half width-wise, sewed the two light edges together, and trimmed and pressed open that seam.

I now had a rectangle of fabric from which to cut the outer body as one with the trees growing in the proper direction on both the front and back.

It took a lot of fussing to get the lining piece lined up, and as you can see it's slanted because I lined the top fold up with the seam. The grainline must have been a little bit off.

I cut that out using the lining as the pattern, and cut open the centre front up to the seam.

On that top bit I cut in a little ways on either side to make it a T shaped opening, just like I do for my shirts.

Since the tree pieces were too narrow to get the full sleeves in, I pieced on the rest with that strip I'd torn off the top.

I sewed the side seams on both the outer and lining pieces, clipping the inward curve under the arm.

Then I pinned and sewed the entire outer edge right sides together, excluding the cuffs and collar opening. This took quite a while.

I turned it right sides out and pressed that big long seam open, and then into a flat edge.

The sleeve ends were pulled out through the neck hole one at a time and also sewn right sides together.

The collar is a rectangle shoved into the top part of the T shaped opening. You can see the same kind of collar fairly well on this blue damask wrapper in the V&A if you zoom in on the pictures.

Inserting the collar is the one thing I wish I'd done a bit differently. I should have made it in 2 pieces with a seam along the top. Not because I care much if the inner half matches the lining, but because the fabric is thin and a seam there would have added more stability. 

As it is I ended up sticking a scrap of cotton twill tape in there to give it more structure. I also wish I hadn't machine sewn the first edge in, because the corners didn't line up with the seam along the top. I could have lined them up more easily if I'd done it by hand, and it wouldn't have taken very much longer.

 But alas, I machine sewed it on and folded in and whipstitched the rest of the edges.

When I first tried it on the turned up cuffs started to slip down immediately. I don't think this would be as likely to happen with a stiff silk or wool, but this soft cotton doesn't have the structure to hold itself up. I considered pinning them up with little safety pins, but then remembered I have a pair of inherited blue-green rhinestone brooches. 

I stuck them on the cuffs and they're holding them up nicely. Unfortunately they do hang down in front, which causes them to smack into things sometimes, but if I get too annoyed someday I can replace them. If I do that it'll probably be with hooks & bars, or maybe snaps. 

I did consider tacking them up, but that would make washing and ironing more annoying. Not that this will need washing very often at all, but still.

Because of the wonky angle the sleeve piecing is very asymmetrical, but that's ok. The left cuff mostly covers up the most obvious part of it.

I'm very happy with the fit, and I love the colours.

Cutting the lining all in one made it shorter than it could have been if I'd cut the lining in the same way as the outer, but thankfully it's still a good length. A few cm longer would have been nice too, but I could have easily made it too long, which would be treacherous for walking up stairs.

Someday I'll make another one in a more 18th century appropriate fabric.

Red Brocade 1750's-ish Waistcoat

(I say 1750's-ish because the fabric is a bit inaccurate looking, but only a bit.)

Last month I made a very long post about secondhand obi silk and, since I wanted a more precise idea of how much fabric my projects use for the measurement section, I ended up cutting out a waistcoat just to see. I've been wanting to get back to posting more often on this blog, so I decided I'd do a blog post about this one, and I remembered to photograph most (but not all) of the steps.

The fabric is, as I talked about in that post, a Nagoya obi that was 30 cm wide and had 2.56 m of brocade and 2 m of plainer basket weave textured silk. Some of the photos show a magenta tinge, but in person it's very red.

While the design on it isn't perfectly accurate for 18th century, it has a similar enough look to some 18th century silks that I think it works nicely. The one thing I don't really like is how the floral parts have an ombre stripe to them.
I'm not sure what the striped material is either! The rest of it is silk, but the striped part is little flat strips similar to the metallic strips a lot of obi have, but they look and feel plastic-y and they burn like cotton. Perhaps some sort of large flat rayon filament? I do not know.

For the pattern I just used my jacket pattern, but without the sleeves. I somewhat regret this, as it's looser in the back than I would like, but I can always take it in.

There was just barely enough brocade for the fronts, and I had to cut the pocket flaps on the cross grain. 

It means the stripes go in the wrong direction, but oh well.

I cut the back out of the plainer part and there was a little bit of that left over after.

As is plainly visible in the cut out picture, the narrow width meant the fronts needed to be pieced, but the back didn't.

This fabric is very very thick and stiff and has nice solid selvedges, so I was able to just whipstitch them together.

I then trimmed the excess off the pieced on bits. (It's good to cut them out a bit too big before piecing, just in case.)

It left only a small ridge on the inside, and because the floral pattern doesn't go past the edge it means the seam is well hidden in the textured background.

I originally planned to line it with this peachy orange satin that was the lining from another obi, but it turned out to be a silk/rayon blend that reacted weirdly to water.
I sprayed some water on it while ironing and it shrunk a dramatic amount, and then went back to the original size with some more ironing. After lining one pocket flap with it I decided a lining that behaves that way was a bad idea, so I recut it in plain white silk taffeta from my stash.

It's not showing up well here but it was very bent.

I cut the back lining out of thin brown linen, and the pocket bags out of burgundy glazed cotton. (I like the glazed cotton but I can't use this particular one for regular linings because it stains light coloured shirts, as I found out when I used it in a jacket a few years ago.)

I machine sewed the centre back seams on the back, and the back lining, and pressed the seams open. I also machine sewed the pocket bags.

I sewed the silk back pieces twice because it's so thick.

Edit: Ooh nice, I just noticed that this 1750's-60's coat in the V&A has a very similar basket weave texture!

I tacked some tightly woven cotton obi interlining to the front skirts to help them stand out, and then added the buckram to the front edges. The buckram strip is a bit wider on the left side because the buttonholes will go there.

I folded a small strip of the obi interlining in half for the button stand and added it to the front edge just above the pocket. (But later in the process I was worried the buckram I used might be too weak and the button threads might tear through, which has happened before, so I added more button stand to the rest of that edge.)

I clipped the inward curves and pressed in the seam allowances on all the edges except for the side and shoulder seams. On the stiffened parts of the fronts I whipstitched those edges down to the interfacing. The pocket holes were also cut open, and the edges pressed and whipstitched.

(This is from after I sewed the buttons on, and you can see the additional button stand added later.)

After marking out the 11 buttonholes I sewed around them with a straight stitch by machine. I often do that step by hand, but I wanted to save a bit of time on this one. I cut them open with a chisel and overcast them by hand with a whipstitch using red cotton thread.

I have a buttonhole tutorial where I cover it all in much more detail, so I don't need to talk too much about it in this post.

I used cotton perle for the buttonhole stitches because I didn't have any red silk twist.

The buckram got warped from all the handling, so I pressed it after the buttonholes were done. 

Always good to press things between steps!

I clipped down into one side of the pocket bag so I could fold the edges back to match the pocket opening.

And lined it up, pinned it, and whipstitched it on. I had to stab stitch the ends.

I seem to have forgotten to photograph anything to do with the pocket flaps, but they had buckram tacked onto them just like the fronts, and the edges clipped and pressed in, and then the lining felled down.
I mark the corners of the pocket flap on the outside of the front, line it up and pin it, then baste it in place, and then carefully stab stitch the edge down to the front. The stitching goes a couple cm lower than the top corners of the pocket flap so it stays flat against the waistcoat.

I did death's head buttons, which I hadn't made in quite a long time. I was considering using this linen yarn, but it's too pink so I used the red perle again, which matches quite well.

The colours aren't coming across well in the photo but the linen
matches even less in person.

I have a video about making death's head buttons, so I shan't go into detail on that either.

The button moulds I'm using are wooden spacer beads from aliexpress, because it turns out those are a lot better quality than the much more expensive reproduction ones I've bought in the past.

I sewed them on the same way you sew on all 18th century cloth or thread covered buttons - by stabbing through the lump on the back and sewing it down slightly loosely to the garment, and then wrapping thread around those threads to form a shank.

With the buttons & buttonholes all done it was time to line the fronts.

I laid the lining wrong side up on the table and lined up the waistcoat front on top of it. I pinned it in place and basted it on, making sure to leave a couple of cm open around the edges.

And making sure none of the basting got in the way of the buttonholes.

I trimmed the seam allowance (except on the side and shoulder seams) down to a little under a cm and clipped all the inward curves.

And folded it under and felled it down.

I then basted around the buttonholes individually, so as to keep the lining from shifting during the next steps.

I poked through the buttonholes from the outside with large pin to mark the ends on the lining side 

and then cut through the lining along the length of the holes with my bird snips.

I whipstitched the cut edges down to the edges of the buttonhole. 

(I show this method in my buttonhole video, as well as a fancier piecing method that provides a cleaner finish.)

At this point in the construction process I always lay my pattern piece back down on the fronts to re-trace the side and shoulder seam lines, because they're covered up by the lining and because the shape of the fronts often warps a bit from all the handling it's had.

Fronts both lined, button attachment stitching all nicely covered up.

I basted the fronts to the back, tried it on to make sure it fit, and sewed them again with a smaller stitch length.

I often do that step by hand, but I did the sides and shoulders by machine because I wanted to make this waistcoat go slightly more quickly so I could get back to other stuff.

Then it was time to add the back lining.

I always line up the centre back first, and then smooth out the halves one at a time. I clip the inward curves, fold the edges in, and pin them down.

I baste down all the edges so I can more easily sew the lining in without pins in the way, and also so I can try it on one last time before felling the edges.

It fit just fine, so I proceeded to fell down the lining edges. I used off white silk on the side and shoulder seams, and red cotton on the other edges. 

Quite unnecessary to match the thread to the lining when the two halves of the lining don't even match and it's not going to be seen on the outside, but for some reason I just felt like matching it.

Then all that was left was to take out the basting and add bar tacks to the tops of all 3 vents.

Like the bar tacks on buttonholes, they're just a few long stitches taken across the surface, and then buttonhole stitches done over top.

Finished!

There are a couple of little goo spots on the back hem that I must not have noticed when cutting out, because I did have enough of the plainer fabric to have avoided that.

Must have been tape or labels there. I'll try taking it off with goo-gone at some point.

Overall I'm very pleased with this waistcoat. It came together fairly quickly, I'm happy with the construction, and the fabric is fabulous.

However, it does fit quite loosely in the back, and I'm not sure if that'll be a problem yet because I don't currently have any coats that go with it. The fabric is so so stiff all around that the back wouldn't fold and rumple up in back if it were to be worn under a slightly too tight coat, it would bulge out weirdly in front.

So I'll wait and see, but if necessary I may open the centre back seam most of the way up, trim the edges down a little to fit the curve of my back better, and leave it open with lacing. (A perfectly accurate and fairly common option.)

Those shoe clips are not 18th century at all, 
but I had them and they matched and I'd never worn them before so I figured I may as well.

I love making waistcoats, but my goodness I really need to make more coats. 

The two wool coats I made in 2019 no longer fit me and I have not yet attempted to let them out, and I haven't made... any new ones since then, aside from the navy wool one which was very tight to begin with and also no longer fits. 

I've made a dressing gown and a jacket, but no coats, just a lot of waistcoats with nothing to go over them. (Though to be fair a lot of those waistcoats were previously unfinished things from The Pile.)

Well, that's all for now. I will update this post if I do eventually add lacing to the back.