Brown monster print waistcoat

I made this some months ago, but have been very slow about blogging, as usual. It's a waistcoat made from one of my monster prints from last year! This is the brown version of Monster Pattern 3 on Spoonflower's petal cotton, but it comes in other colours, and is also on MyFabricDesigns, and some things on Redbubble.

I used the same 1770's pattern as my Werther's waistcoat. I got this as part of a fill-a-yard when I was proofing the new designs, and made it take up a large portion of the yard, so there was just barely enough to squeeze a waistcoat front out of it.

I didn't get any photos of the construction of the fronts because I did them on the industrial machine at work and didn't have my camera, but it's much more modern than I usually go with waistcoat construction.

Edit: I found one grainy little photo on my flip phone of the interfaced front before I lined it!

 I used white fusible interfacing along the front edges and bottom portion, and machine sewed and turned the front edges and the pocket flaps. That doesn't make for the nicest edges, so I did a small running stitch along the edge just to hold things in place so the lining doesn't shift to the outside.

I hand stitched the upper edge of the pocket flaps closed, and whipstitched them onto the waistcoat. The pocket bags are sewn in by machine.

I did a quick line of machine stitching around each buttonhole mark, then cut them open and did the buttonhole stitches by hand with dark brown cotton pearl.

The buttons are covered with a cotton print from my stash in a similar dark brown. It's got little leaf/flower motifs on it, which I centered on the buttons. (Link to my covered button tutorial.)

The back is a heavy linen twill from Pure Linen Envy, and the lining is a dark brown cotton bedsheet from the thrift store. The centre back seam is machine sewn with heavy polyester thread and hand felled with linen thread.

I machine sewed a little facing to the back of the neck, and hand stitched it down to the inside with brown silk thread. The side & shoulder seams are machine sewn and hand felled in the same way.

All the linen edges on the unlined back are hemmed by hand with more grey linen thread.

There wasn't enough fabric to even think about pattern matching, but that's ok, the monsters can wander wherever they want.

I'm happy with how it turned out. It's a fairly quick machine sewn project that actually was quick and mostly machine sewn for once!

I really must make more cotton waistcoats for everyday wear. (And more summer linen ones) I wear my wool ones for the colder part of the year, and occasionally a silk one when it's too warm for wool, but I'm always worried about getting them dirty.
A cotton one like this is one I can wear to work without thinking about that.

The monsters next to the original drawings.

 

Frog Toile, and some other patterns

In 2021 I got back into making repeating patterns after not having made any since textiles class in college about 4 or 5 years ago.

I like it a lot. I missed doing repeating patterns. I hadn't done any since college mainly because I had no way to edit them, but then I learned about photopea.com and started using that. It's a bit glitchy sometimes (save multiple backup psds!!) but it's free to use and has an offset filter, so it works for my pattern making purposes.

I've been putting all my patterns up on Spoonflower, Redbubble, and MyFabricDesigns.

The first one I did was this monster pattern. I drew 24 little monsters in my sketchbook, using a newer pen for the outlines and a pen that was running out of ink for the texture.

I scanned them and arranged them like this. It's pretty easy to make small motifs repeat - you just put some in the middle of your blank image, use the "offset" filter to make the edges shift around so the middle has moved to the outside, and then you can put more things in the middle and keep doing that until it's all filled in.

I did 9 different colour versions of this one.

The next pattern I did was much bigger. Spoonflower has weekly design contests, and the one at the beginning of last November was "Quirky Amphibians". The prompt spoke of them wearing outfits and doing everyday activities, so of course I had to submit something. I decided to do a toile featuring frogs in 18th century clothing.

I spent a good portion of October working on it. I made a private pinterest board filled with a couple hundred reference images of pond life and 18th century objects, and once I'd done some sketching and decided roughly what the design would be I sketched the full layout at the final size on 6 large sheets of paper. I held them together with some painter's tape on the back while drawing, and switched the pieces around to fill in all the edges so it would repeat.

In order to do ink drawings of them I transferred the lines onto nicer paper. I don't have a light table, so I used a sheet of glass laid across 2 boxes with a light underneath. 

If you're going to do this make sure it's with a light that doesn't get too hot! Incandescent bulbs are not suitable, they'll get way too hot very quickly! 

My makeshift light table.
This is the glass from a picture frame,
but I've since brought home an old window pane that's bigger & stronger.

I traced the drawings lightly in mechanical pencil and inked them with dipping pens.

I hadn't any experience drawing with dipping pens, but I got a cheap beginner's set from Michael's and practiced a bit, and I quite like them. 

Being able to vary the line thickness makes it much closer to the look of engraved printing than I can get with my usual pens.

I did 6 frog scenes.

This one's my favourite. I think the shading and composition turned out really nice, and that the idea of reading bedtime stories to a cradle full of eggs is quite funny.

I filled in the spaces between them with these little clumps of weeds, and there's a crayfish, a giant water beetle, and a few snails in there too.

A few of the frog scenes were a bit too big to fit onto my parents scanner and I had to scan each end and edit them together, which was a bit tricky. When I finally had them all scanned I arranged them all together on a background the same size as the 6 papers I'd done the sketching on (33" x 28" in total).

I took a photo of the 6 papers together and used it as a guide to show me where to place each of the drawings. Sometime in this process I also darkened up the pen lines (they always look a bit washed out when you scan them) and erased all the yellowish paper background.

A bit more than a full repeat of the frog pattern.

I finished it just a few hours before the deadline to enter it in the Spoonflower contest, and it won! (I wish I'd submitted the blue version, but I didn't do the different coloured ones until after, and I'd stayed up all night editing it so was just glad to have it finished.) I did 10 different coloured versions.

Here are my spoonflower samples!

Along with the patterns I also put all the individual frog scenes up on Redbubble.

A little while later I ordered 2 yards of the green on a linen/cotton blend from MyFabricDesigns, which I intend to make into a jacket. 

It's lovely quality and I'm very happy with the colour green that printed but ooghhh, the shipping and duty fees were exceptionally horrible on this one.
I think next time I want some custom printed fabric for me that isn't Spoonflower proofing samples I'll get it from DesignYourFabric, since they're right here in Canada. (Sadly they don't have a public marketplace though. And frustratingly they only take credit card, and I still haven't got one of those. Ugh.)

My lovely green frog toile that was so many dollars to ship.

Overall I'm pretty happy with my frog toile, but I'm excited to someday draw much more dense toiles. With this one I was limited by what I could fit onto the scanner, but I have recently borrowed a drawing tablet and once I get a bit better at digital drawing (and get a better drawing program) I'll be able to make big repeating drawings without being thwarted by the edges of paper.

The next pattern was not one I had planned to do, but multiple people asked for it.

Way back in surface design class when I was first learning how to make things repeat, I practiced with this little dinosaur doodle. It was not meant to be a proper pattern, and I don't think it's very good, but when I found it in my folders and posted it on the dinosaur pages I got a bunch of people asking for it to be real fabric.

Well I certainly wasn't going to put that in my spoonflower & redbubble shops, one dinosaur in the same position repeated endlessly on very repetitive scribbles looks awful, so I made a bigger pattern with the same general style. 

I drew 14 distressed looking dinosaurs in sharpie.

I drew a full page of scribbles with pencil crayon and made it repeat by using the offset filter and copying little chunks to fill in the gaps.

And then put 4 of those scribble repeats together and arranged all my black dinosaurs on it.

I didn't much like the way it looked with most of the colours I tried, so only ended up doing 3 versions of this one. Red scribbles, grey scribbles, rainbow scribbles, and a purple watercolour & coarse salt texture I made back in college. 

I might try some more someday, after I make more repeating textures. 

My spoonflower samples.

And finally, I made a hygienic bathroom dinosaur pattern. I mean to eventually do some more domestic dinosaur patterns, but I had hand washing on my mind at the time, so started with this one.

I sketched out the design on paper first, just like the frog toile, and used a photo of it as a guide. Drawing over these digitally took so long, because I hadn't borrowed a tablet yet and had to do it all on a trackpad with my finger.

But finally it was done! I wish I'd made it a half drop, I don't like how square things look when the repeat is small.

I put a big and a small version on Spoonflower, and no other colour variations. Multiple people have bought it in shower curtain for off Redbubble!

My spoonflower samples.

In one of my sample orders I threw in my bird print from 2017 fairly last minute. This was one I did for a 3 colour screenprinting assignment and I still have all the files, so I added some colour and texture, and a plainer version with just the outlines.

I did a fall, a winter, and a nighttime version. (I tried a summery one with green blobs, but it looked horrible because the lineart is of bare trees.)

I added my other old repeating patterns too. I'm not thrilled with all of them, but they're ok. After my samples came I changed the colour and scale of a few of them.

My older monster drawing style has changed a bit since these.

The bismuth one is definitely the best of the ones I did for this assignment! I drew all those lines with pen!!

Here it is with an actual piece of bismuth.

Phew, now I'm finally caught up on 2021 blogging! It was perhaps a foolish idea to wait to do my year in review post until after I'd caught up, because I'm a terrible procrastinator and it's now mid February.