Striped Glove Video

 I have finally finished the video on how I sew gloves! I started working on this well over a month ago.

It started out just being about the striped pair, but then I was worried the stripes would make the sewing hard to see, so I also made a plain pair with larger cuffs.

As is usually the case when I make a video, I was so busy filming that I forgot to take progress photos. (I'll probably come back and edit this blog post to have more pictures and links, I just really want to get the video posted tonight now that it's finally finished.)

I also haven't got very good pictures of me wearing them yet, so I'll try to get some later.

I'm so happy with my wee little dragons.

The striped ones are of course inspired by the extant printed striped pair from the MFA collection. (The same gloves that inspired my disastrous first pair 5 years ago.) 

I didn't want to paint people on mine, so I did dragons.
Here's a link to my historical (largely but not entirely 18th century) dragon pinterest board, and another to my glove pinterest board.

French, late 18th century, MFA Boston.

The second, plainer pair is based mainly on the Diderot patterns from 1768, but I have seen similar cuff shapes a lot earlier.

I took the first photo, wore them out and about a few times, and then remembered I hadn't taken any other photos, which is why they're dirtier and more hand shaped in these ones.

And here are the finger measurement diagrams I said I'd post here in the pattern drafting part of the video.

I'd like to come back and edit this post so it's more informative and less disjointed, but for now I hope this will suffice! It's close to midnight and I work tomorrow, and I just need to line up the subtitles before my video is all done. 

Any images in the video that aren't linked here should be in either of the two linked pinterest boards, and the supplies are linked in the video description.

Leafkerchief Video

 It's finally finished! I've had most of this video filmed for well over a year, and couldn't edit it for quite a while because my old computer became too feeble and would freeze and crash, but now it's finally posted and I'm so glad to be done with it! 

In my blog post about the first leafkerchief I made, way back in July 2021, I go over how I sewed and painted it, and included a pattern diagram. 

In this video I sew two similar ones, and a simpler version, try some different painting methods (Here's a link to the little squeezy bottles. Not where I got mine, but they look the same.) I also go over how I draft the patterns.

I didn't get any progress photos of these because I was too focused on filming them, oops!

 

This last one is made from the same pattern as the original dark green one, which is in the other post, but I'll put it here too just to have all 3 in the same place.

Leafkerchief

Last week at work I was thinking about leaves, and I decided I wanted to make a large head kerchief with corners that looks like leaves. 

Update: I have made a video tutorial.

I finished it a few days ago and have gotten a Lot of comments on the social medias from people who also want to make one, so hopefully this post will answer all your leafkerchief related questions.

It's a pretty simple project to make, just tedious.

I based my design on an elm leaf.

Some elm leaves.

I drew a pattern on a square of paper that's a quarter of the size I wanted. My finished leafkerchief is 76 cm square, so my pattern fits into a 38 cm square.

It's an ok size, but it could stand to be a little smaller, so for my next one I'll aim for a finished size of 72 cm square.

A scan of my pattern.

I scanned my pattern and traced it, and here it is on an inch grid so you can scale it up.

My head is 60 cm around, so you might want to scale yours up or down a bit if your head is significantly bigger or smaller than that.

If you'd prefer a symmetrical leaf, you can just copy half the pattern and mirror it. Or draw your own serrated edge pattern on a square the same size, there are many different kinds of leaves to be inspired by!

My mother suggested I include a ko-fi link here, so here it is
No pressure though! This is very much a free pattern!

If you don't want to sew serrated edges, that's ok! There are plenty of leaves with smooth edges, and painting the vein pattern on just a hemmed square will still look leafy.

My main fabric is a plain dark green quilting weight cotton. One metre (or one yard) is sufficient, I bought one metre and still have some fabric leftover.

For the facings I used a much thinner cotton. Not quite sheer, but very lightweight so as not to make the edges too bulky. Half a metre (or half a yard) is plenty for the facings. I used a pale green, since the underside of a leaf is usually a lighter colour.

I traced my pattern piece 4 times, going around all the edges with a white fabric pencil, but not marking the veins on yet. 

Since the veins and serrations are staggered, I didn't flip the pattern piece upside down at all when tracing, I just kept it the same way up the whole time, otherwise the spacing would have been uneven in the middle where the 4 leafy pieces meet.

I cut out the square with a fairly generous seam allowance.

I didn't use a pattern for the facings, instead I cut 4 strips about 7 cm wide and as long as the width of my square. I marked the angled ends by lining up a ruler with the corners of the leaf, and the exact middle of the square (which is easy to see because it's where the squared off corners of the traced pieces all intersect).

I marked both ends on all 4 pieces this way
and cut them off with a 1 cm seam allowance.

I sewed the 4 corners of the facing with a very small stitch length, and didn't backstitch. I pressed the seams open, turned my big square over so the marked outline is facing down on top of the table, and smoothed out the facings over top of the square with the pressed open seam allowances facing up.

The square & facings, right sides together.

I pinned all around the edge and sewed along the marked line on the square, again with a very small stitch length. 

This took quite a while, since to go smoothly around all those little curves I had to lift the presser foot, pivot slightly, sew a few stitches with the handwheel, and then doing that again and again and again. (I did sew normally with the machine along the longer curves, but for the small ones it was mostly the handwheel)

I trimmed along the outside of this seam very close, about 3mm. This is why the small stitch length is important - so it doesn't come apart and fray. I also clipped a couple of times (carefully! Don't want to cut the stitching!) inside each of those tiny little inner curves.

If you've never done anything like this I strongly suggest doing a sample or several. Making samples is always a good thing to do when trying new techniques.

I turned all the points right side out with the help of my bamboo point turner, and pressed the edge all nice and flat. When turning the edges out I sprayed my hands with a little bit of water, because I find that damp hands make it much easier to work the seam to the outside on edges like this.

(Sorry I don't have many photos of these steps! I would have taken more progress pictures if I'd known there would be so much interest in this.)

I wanted the edge to stay flat, so after pressing it I topstitched very very close to the edge, about 2mm. This also took a lot of pivoting and was very slow. I didn't backstitch for the topstitching, I tied the thread ends off and buried the ends under the facings with a hand sewing needle.

To finish the facings I ironed under about 1 cm on the inside edge of the facings and hand sewed it down with a fairly short slipstitch in dark green silk thread. When folding in the bits near the corners I unpicked the very end of the seam (which I had not backstitched). 

When slipstitching around the corner I did a couple little whipstitches there to help keep it secure, and since the stitch length is short and these seams won't be under any strain it should be fine.

With the edge all finished, it's time to put the veins on. 

As you can probably see in the scan of my pattern at the beginning of the post, I used an xacto knife to cut out little rectangular holes along the lines in my pattern. 

I marked through these with a washable fabric marking pencil, and then joined up all the dashes, using a ruler for the straight portions.

For painting on the veins I recommend either fabric paint, or acrylic paint mixed with textile medium. 

(I used fabric printing ink because I have a lot leftover from textiles class in college, but it's not a great texture for painting.)

I used a very small brush and painted slooowly along all the lines, getting them as smooth as I could and making them very slightly tapered. This was by far the most time consuming part, I think it took me about 7 hours to do all the veins.

Afterwards I realized I could have saved a lot of time if I'd used tape to mask the straight portions, so if you're doing this I suggest laying two strips of painters tape along each side of the 4 main veins, painting them with a stiff brush, then letting it dry. 

Remove the tape and do the same for the straight portions of the smaller veins, and then finish up the curved tips with a small pointy brush. (But do a sample first!)

I left it overnight to make sure it was dry, and then ironed it on the hottest setting to heat set it. (The heat setting makes the paint able to stand up to washing, and there should be instructions for how long to iron it on the label of your textile medium or fabric paint.)

Finished!

I'm very happy with how it turned out!

To put it on I fold it in half diagonally, but slightly off centre so that one corner is hiding underneath the other. I fold down about 6 cm of the long edge, like so:

I tie it around my forehead with the corner pointing up.

I tie it again the other way to make a square knot.

At this point I find the back a bit too wide, so I tuck the sides in a little bit to make the leafy bit a little narrower.

I make sure the central vein is symmetrical on my forehead, and adjust the sides to be just over the tips of my ears.

And that's it!

I hope this post was helpful, and if you're making your own leafkerchief I hope it turns out well!

I expect I'll probably make another one in a different colour this autumn, and when I do I'll be sure to document the process more thoroughly.