Navy blue wool 1790's-ish coat

A coat for my everyday wardrobe that I made back in early spring of last year. It's got a fair amount of machine sewing, and not meant to be perfectly historical.

It's sewn with the same pattern as the black corduroy coat I made a few years ago, but with some changes. I don't remember everything I did to the pattern, but the main changes were shortening the coat by a significant amount, tightening the sleeves a bit, and adding front pockets.

The outer fabric is two slightly different navy blue wools from my stash, which were both given to me years ago. The main body and sleeves are one wool, and the smaller bits are the other.

I had to do some piecing on the back skirts and the underside of the sleeves, but kept it mostly symmetrical.

Since many late 18th century coats have a bit of padding to fill out the collar bone area, I added some to this coat, but I think I went about it in a pretty foolish way. I sandwiched the padding in between two layers of very thin green cotton, but I don't know why, there was no danger of the fibres wiggling out through the garment fabric. I attached it to the lining, and had to redo it because it wasn't sitting right.

Next time I'll be more sensible and just hold the layers together with pad stitching like you're normally supposed to.

Because this was meant to be a relatively quick machine sewn project, I used fusible interfacing. I didn't put anything in the lapels, since that seems to be the way they did it in the 18th century.

The pockets are machine sewn in, and the pocket flaps machine sewn and turned, then finished off and attached by hand. Most of the hand stitching is done with heavy black linen thread. I also did a running stitch to topstitch the edges of the fronts and the pocket flaps, to keep them nice and flat.

The lining is a smooth, tightly woven pair of cotton curtains from the thrift store.

My back pockets were much more successful than my disastrous first attempt (on the aforementioned black corduroy coat) but I still don't think I got the flap quite right. Next time I'll make the pocket flap wider so it can be caught in the side/back skirt seam, instead of sewn down to the outside afterwards.

The pocket opening before I added the flap.

The lined front, before sewing the back on.

The top of the back vent being sewn down.

And the inside view.

The back skirts, with lining basted in place temporarily.

Everything lined and sewn, waiting for the back lining to be added last.

Another small change I made to the pattern was adding a button vent to the sleeves, with 5 small buttons. I made the sleeves tight enough that they need to be unbuttoned to fit my hands through them.

After sewing up one sleeve I realized the cotton lining wasn't anywhere near slippery enough for such tight sleeves, so I picked it apart and flatlined most of the sleeve lining with rayon bemberg.

This picture was taken with my bad older camera.

Then sewed it back up and finished the sleeve.

Because I hadn't left the coat body lining free near the armhole, I had to press the seam allowances out into the sleeve instead of in towards the neck. It looks a bit odd to me, but I think they did start to do that around the end of the 18th century. And it's covered by the cape anyways.

Kind of an unflattering shape on me, without the cape.

I had some fit troubles with the shoulders, and picked out and re sewed them a couple times, but they were still rather wrinkly. Thank goodness for the cape!

Unlike the black coat, I only did one layer, simply because I was so very short on fabric. It's unlined, and I hemmed the edges with a herringbone stitch. The neck curve is clipped, pressed in, and then just whipstitched down around the collar. The fabric isn't the kind that can hold a raw edge without fraying, but it's not too bad, and this part should be fine.

I sewed the buttonholes by hand, and did 18th century covered buttons.

I'm not a huge fan of navy blue, but it works very nicely with my grey waistcoat and breeches.

Overall I'm mostly happy with it, but I think I overdid it with the sleeve tightening. They aren't exactly uncomfortable, but they're a bit more hassle to put on than I'd like, especially for a casual everyday coat.

There's also some room for improvement with the chest padding and back pocket flaps, but for a coat made of two odd remnants of wool and some curtain fabric I think it's pretty good!

Some more everyday shirts

 I made some more everyday shirts (last year- I'm still very behind on blogging), and they're all so similar that they don't need individual blog posts. (I really need to make an updated shirt construction post but here's the most complete one I have right now.)

The first two are both made from Summer Breeze weight linen from Pure Linen Envy. The first one is in Flint Grey.

I usually do thread buttons for my shirt collars, but this time I used mother of pearl because I had a couple of blue tinted ones that went well with the blueish grey. (Not historically accurate for 18th century shirts, but neither is the colour or the machine stitching, and it's for my everyday wardrobe so it doesn't matter.)

All 3 of these shirts have cuffs that take sleeve links.

I used light blue crochet cotton for the buttonholes because my local store has absolutely no grey crochet cotton. The bar tack at the front is done with grey linen.

I've gotten pretty good at doing the heart shaped reinforcements by machine. (With hand basting first, of course.)

The second shirt is in Spruce Green, and I was able to sew both it and the grey one in the same thread, because I had a medium grey coloured thread that worked with both fabrics.

I did my usual Dorset wheel buttons for this one, and all the buttonholes are in the same cotton pearl, which was the closest green I had in my stash.

And this last one is an off-white linen I got from my local Fabricville quite a few years ago. It's a bit of a heavier weight than the other two.

Here it is with my monster print waistcoat.

For this one I made a couple of bird's eye Dorset buttons using the Gina B. Silkworks tutorial, but I don't think I did my stitches tight enough around the little ring of rolled up fabric, because they got a bit squishy after a while. They worked just fine, but I found the squishiness unpleasant to touch, so I replaced them with Dorset Wheels a couple weeks ago.

I'd like to try making the bird's eye buttons again, and try to get them more firm.

I had to cut the body in 2 pieces because I had an odd shaped remnant that didn't fit the entire body on it, but you can't tell because it's under the shoulder strip.

The left cuff turned out uncomfortably tight, and I was hoping it would loosen up with wear, but it didn't. I ended up unpicking one end and adding a longer piece on.