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Saturday, 11 June 2022

Early 18th century shirt that closes with a ribbon

 I made another hand sewn shirt!

This one's an 18th century style I've wanted to try for quite a long time, where the collar fastens with a ribbon instead of buttons. I have a section with all the examples I've found on my Shirts pinterest board. Usually the wearers are in a partially undressed state, but there are a few more formal ones where the ribbon can be seen peeking out from under a stock. They appear to have been most common in the early to mid 18th century, but there are a few examples from later.

I suspect this evolved from late 17th century styles, when they had those large colourful bows tied in front of their collars. I don't know for sure, since I haven't researched that era, but it looks like the shirts in this portrait and this one are tied with a ribbon in the same way as these later shirts. I have no idea how that worked with the lace cravats they also wore though.

I shan't go into the construction here, since it's pretty much the same as my previous shirt. The only difference is that the collar is shorter because it doesn't overlap as much, and has one buttonhole on each side for the ribbon to go through.

I don't know if the heart shaped shirt reinforcements were a thing this early in the century, but they're sturdy and I like them, so I added one.

The hem gussets.

I've found that on some of my shirts the folded edge of the wristbands is very thin and flimsy, so this time I cut them a bit wider and folded them in quarters before attaching them, so the fabric is doubled up all the way through and it fills them out a bit better.
I had a go at recreating this painting, since it's got a shirt and violin and not much else in it.
Young man with a violin by Jan Kupecký, c. 1706.
I think it turned out pretty good (though I know I'm not very good at editing photos).
Here are some more shots. I'm wearing it with my green wool 1730's breeches.
I don't know how to play violin, this is an 1890's one that I borrowed from my parents.
I'm wearing my little brass sleeve links with the pinwheel design on them.




I didn't have a red silk ribbon like the one in the violinist painting, but I did have a pink one, which is one of the colours you sometimes see in other paintings with this style of shirt.
Portrait of a man by Nicolas de Largillière, 1703.


Worn with my 1730's brocade waistcoat.


There are also some that show a narrow black ribbon being worn, so I tried that too.
Sir Charles Howard by unknown artist, 1738.


Both under a stock, and untied, since there are portraits of both.
I found that the collar doesn't sit as nicely as buttoned ones do when it's just tied, but when there's a stock over it it stays put just fine.

 Being all rectangles (and one heart), it qualifies for the Geometry challenge for the Historical Sew Monthly.

What the item is: A man’s shirt.

How it fits the challenge: It’s all rectangles and squares! (Except the little heart shaped reinforcement, which is a square that’s had a little bit trimmed off 3 corners.)

Material: White plain weave linen from Pure Linen Envy.

Pattern: None, just a list of dimensions.

Year: Early 18th century, but it could work all the way to the mid 18th century, and probably for the late 17th century too.

Notions: Linen thread, vintage crochet cotton for the buttonholes, a short length of silk ribbon.

How historically accurate is it? Pretty good! The cut and construction is accurate to the best of my knowledge, and it’s all hand sewn with linen thread. I didn’t add a laundry mark though. I also don’t know for sure if the heart shaped bosom slit reinforcement was around this early, since I’ve only seen examples on a few late 18th century extant shirts, and earlier shirts are even more rare and there aren’t many pictures of them to be found.

Hours to complete: I neglected to keep a time sheet, but probably 30-something.

First worn: May 3rd, 2022

Total cost: About $35 CAD





And that's it! I've got a couple more shirts in progress that are machine sewn coloured linen ones for everyday wear, and I'm thinking I ought to machine sew some white ones too, so I don't wear out my hand sewn ones too quickly.

Monday, 23 May 2022

Brown monster print waistcoat

I made this some months ago, but have been very slow about blogging, as usual. It's a waistcoat made from one of my monster prints from last year! This is the brown version of Monster Pattern 3 on Spoonflower's petal cotton, but it comes in other colours, and is also on MyFabricDesigns, and some things on Redbubble.

I used the same 1770's pattern as my Werther's waistcoat. I got this as part of a fill-a-yard when I was proofing the new designs, and made it take up a large portion of the yard, so there was just barely enough to squeeze a waistcoat front out of it.

I didn't get any photos of the construction of the fronts because I did them on the industrial machine at work and didn't have my camera, but it's much more modern than I usually go with waistcoat construction.

Edit: I found one grainy little photo on my flip phone of the interfaced front before I lined it!


 I used white fusible interfacing along the front edges and bottom portion, and machine sewed and turned the front edges and the pocket flaps. That doesn't make for the nicest edges, so I did a small running stitch along the edge just to hold things in place so the lining doesn't shift to the outside.

I hand stitched the upper edge of the pocket flaps closed, and whipstitched them onto the waistcoat. The pocket bags are sewn in by machine.

I did a quick line of machine stitching around each buttonhole mark, then cut them open and did the buttonhole stitches by hand with dark brown cotton pearl.
The buttons are covered with a cotton print from my stash in a similar dark brown. It's got little leaf/flower motifs on it, which I centered on the buttons. (Link to my covered button tutorial.)

The back is a heavy linen twill from Pure Linen Envy, and the lining is a dark brown cotton bedsheet from the thrift store. The centre back seam is machine sewn with heavy polyester thread and hand felled with linen thread.

I machine sewed a little facing to the back of the neck, and hand stitched it down to the inside with brown silk thread. The side & shoulder seams are machine sewn and hand felled in the same way.

All the linen edges on the unlined back are hemmed by hand with more grey linen thread.









There wasn't enough fabric to even think about pattern matching, but that's ok, the monsters can wander wherever they want.

I'm happy with how it turned out. It's a fairly quick machine sewn project that actually was quick and mostly machine sewn for once!
I really must make more cotton waistcoats for everyday wear. (And more summer linen ones) I wear my wool ones for the colder part of the year, and occasionally a silk one when it's too warm for wool, but I'm always worried about getting them dirty.
A cotton one like this is one I can wear to work without thinking about that.




The monsters next to the original drawings.