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Photo by Seamus Lee Hayes. |
I have finished another project! I'm trying to tackle my Unfinished Things pile and I'm actually getting stuff done!
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My sketch, which looks better in person because the scan doesn't capture the silvery ink. |
I started this thing about a year and a half ago, back when I was far more prone to making bad fabric choices. I have a LOT of complaints about it, but it still looks nice.
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Terribly washed out photo of the sequins.
And an excellent view of the not at all lined up sleeve-end. |
I based the pattern off
sleeved early to mid 18th century waistcoats, even though this thing isn't remotely historically accurate. That's okay though, it's not meant to be.
I cut the front & back out of black silk dupioni, which I have a lot of. I did most of the construction a year ago, and the interfacing is synthetic and rather terrible. As far as I can remember I was trying to get rid of some of my not very nice materials, which explains the lining and pockets...
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Yellow cotton sateen pockets. Ick. Why.
At least they're out of sight. |
I did most of the sewing by machine.
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Pocket flaps sewn up and the top edges hand stitched closed. |
I have a jar of various sequins, which I sorted through to get all the dark blue ones. I also found some black ones, and a bunch of dark, shimmery, not any one colour in particular ones.
All the sequins are hand stitched on with a black seed bead in the middle. I put 2 stitches with a single thread through each bead.
The lining is
awful. Originally the sleeves were lined in the same sateen I used for the pocket bags, but when I picked this up and started working on it again I ripped them out and replaced them with silver-grey bemberg. The rest is lined in plain weave cotton, and I have no clue why I put the dark blue sections on the bottom edge when they should be on the edge by the neckhole where the lining is more likely to actually show.
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No. That is not how to do a facing. |
I cut the back in 2 sections so there would be a waist seam, and in that waist seam I caught a rectangle of black cotton mesh. I also tacked a square of mesh to each side of the centre back slit.
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All of this is the part that was sewn over a year ago. |
When I tried it on a few weeks ago I realized the crap choice of lining made the back tails ride up, and I was in a hurry to get this done for an event so I sewed 4 big washers to the corners to weigh them down. Someday I might put a good lining in the rest of the waistcoat.
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Ugly, but it's on the inside and it keeps it from bunching up. |
The sleeves are a blue dupioni that I screen printed with silver octopi a few years ago. I think my reasoning for the weird sleeves and the mesh tail was that none of it would show when this is worn under a coat, which makes sense. I don't know why I didn't measure the black things I stuck on the ends of the sleeves though.
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I think the right pocket is a tiny bit higher than the left one. |
I put the sequins on after most of the construction was done, but I had to open up the hem to sew the ones on the bottom edge without going through the pocket.
It's a bit of a pain to button up with all the sequins in the way, but I like it. I think it'll look nice under a coat once I make one of the right silhouette.
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The left sleeve end is lined up, but not the right one. Boo. |
I wore it to the Fredericton Gender Minorities second annual Pride Prom (where I was helping set up and chaperon) but I don't have any pictures from there yet.
Edit: I forgot to mention cuff buttons! Most of the extant waistcoats have them, but I neglected to add them to mine. I probably will eventually though.
This is seriously so cool! I love it!
ReplyDeleteI love it! I especially love the octopuses. Nice embellishing doodles on your sketch too!
ReplyDelete