This one's an 18th century style I've wanted to try for quite a long time, where the collar fastens with a ribbon instead of buttons. I have a section with all the examples I've found on my Shirts pinterest board. Usually the wearers are in a partially undressed state, but there are a few more formal ones where the ribbon can be seen peeking out from under a stock. They appear to have been most common in the early to mid 18th century, but there are a few examples from later.
I suspect this evolved from late 17th century styles, when they had those large colourful bows tied in front of their collars. I don't know for sure, since I haven't researched that era, but it looks like the shirts in this portrait and this one are tied with a ribbon in the same way as these later shirts. I have no idea how that worked with the lace cravats they also wore though.
The hem gussets. |
I've found that on some of my shirts the folded edge of the wristbands is very thin and flimsy, so this time I cut them a bit wider and folded them in quarters before attaching them, so the fabric is doubled up all the way through and it fills them out a bit better.
I had a go at recreating this painting, since it's got a shirt and violin and not much else in it.
Young man with a violin by Jan Kupecký, c. 1706. |
Here are some more shots. I'm wearing it with my green wool 1730's breeches.
I don't know how to play violin, this is an 1890's one that I borrowed from my parents.
I'm wearing my little brass sleeve links with the pinwheel design on them.
I didn't have a red silk ribbon like the one in the violinist painting, but I did have a pink one, which is one of the colours you sometimes see in other paintings with this style of shirt.
Portrait of a man by Nicolas de Largillière, 1703. |
Worn with my 1730's brocade waistcoat. |
There are also some that show a narrow black ribbon being worn, so I tried that too.
Sir Charles Howard by unknown artist, 1738. |
Both under a stock, and untied, since there are portraits of both.
I found that the collar doesn't sit as nicely as buttoned ones do when it's just tied, but when there's a stock over it it stays put just fine.
Being all rectangles (and one heart), it qualifies for the Geometry challenge for the Historical Sew Monthly.
What the item is: A man’s shirt.
How
it fits the challenge: It’s all rectangles and squares! (Except the
little heart shaped reinforcement, which is a square that’s had a little
bit trimmed off 3 corners.)
Material: White plain weave linen from Pure Linen Envy.
Pattern: None, just a list of dimensions.
Year: Early 18th century, but it could work all the way to the mid 18th century, and probably for the late 17th century too.
Notions: Linen thread, vintage crochet cotton for the buttonholes, a short length of silk ribbon.
How
historically accurate is it? Pretty good! The cut and construction is
accurate to the best of my knowledge, and it’s all hand sewn with linen
thread. I didn’t add a laundry mark though. I also don’t know for sure
if the heart shaped bosom slit reinforcement was around this early,
since I’ve only seen examples on a few late 18th century extant shirts,
and earlier shirts are even more rare and there aren’t many pictures of
them to be found.
Hours to complete: I neglected to keep a time sheet, but probably 30-something.
First worn: May 3rd, 2022
Total cost: About $35 CAD
And that's it! I've got a couple more shirts in progress that are machine sewn coloured linen ones for everyday wear, and I'm thinking I ought to machine sew some white ones too, so I don't wear out my hand sewn ones too quickly.
This is just magnificent! All those detail shots of your finishes make me so happy!
ReplyDeleteSooooo cool
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