This is the third part of my machine sewn shirt tutorial. For hand sewn ruffles, see the links in the intro post.
Intro, Video, & Hand Sewing Links
Tutorial part 1 - Pattern & Cutting
Tutorial part 2 - Construction
Tutorial part 3 - Ruffles - You are here!
Hand sewn ruffles are added after the entire shirt is finished, but for machine ones you need to add them earlier in the process.
I just did samples for these, rather than making an entire shirt, and I'm afraid I'll have to resort to screenshots again because I completely forgot to photograph the steps. As I said in part 1, it's impossible for me to remember to photograph something when I'm already filming it, which is why I did a separate shirt for the written tutorial.
If you want to use lace, cottonlace.com has some wonderful stuff! An 18th century shirt ought to only take 2 metres, or maybe 3 at the very most. If your only choices are synthetic lace or plain fabric ruffles, I would advise going with the plain fabric ones, because I find nylon lace just never looks right. (But if you're not going for a historically plausible look then you can do whatever you want, it's ok!)
If you're using fabric for your ruffles it should be finer than your shirt fabric. On a lot of portraits you can see that the ruffles are translucent, while the shirt fabric is not.Isaac Sweers by Cornelis Troost, 1730's. |
Portrait of a Member of the Van der Mersch Family by Cornelis Troost, 1736. |
Jeremiah Williams by Christian Gullager, c. 1780's. |
You can hem the ruffles by carefully folding the edge by hand like I did with the narrow hems on the rest of the shirt, but that will be quite slow. I highly recommend getting a narrow hem foot for your machine, if you haven't got one already.
It will be so much faster, and you can pre-hem a bunch of long strips and keep them in with your trim for when you need to add ruffles to something.
You take a few stitches into the end of the fabric and use the thread tails to guide the edge into the foot, folding over a bit that will form the hem. If not enough fabric is folded over you get a little frayed edge where the second fold should be, and if too much is folded over then it makes a lengthwise wrinkle in the hem.
For cotton organdy, it went a bit wobbly when I ironed it, so instead I used a bone folder to crease the edge and then just pressed it with my hands.
I was getting a lot of wrinkling on these hems, and I eventually found that the organdy needs a smaller amount folded over, only about 4 or 5 mm.
Icky wrinkles :( |
Machine on the left, hand on the right. |
I made this sample with ruffles gathered down 1.5x, 2x, 2.5x, and 3x, and it's a very useful reference to have on my wall.
I tapered them so I could also have a reference for different widths.
The ruffle I cut 3x the length of the finished wristband, because wrist ruffles are typically quite full. Holding the ruffle up against the piece is a perfectly fine way to measure this, and then you can use that ruffle to measure a second one of the same size.
I carefully machine hemmed the ends of this, the same way I did the narrow hems on the rest of the shirt, but depending on the material it might be easier to hem them by hand. Leave a long thread tail and don't backstitch, so you can tie them off.
Run the usual 2 lines of gathering stitches along the raw edge of the ruffle, going a bit closer to the edge than before, since the inside of the wristband is going to be rather crowded.
Fold and mark the quarters on both the ruffle and one wristband piece, excluding the wristband seam allowances in the quartering. Then pull on the gathering thread and match up the quarters, pining everything in place just like the end of the sleeve on the plain wristband.
I do my usual initial line of long stitches to reduce the chances of hitting a pin, but much like the armhole binding, I don't need to sew this seam twice because that'll happen when the second half of the wristband is added.
Sew the second half on with a normal, short stitch, so that thr ruffle is sandwiched in between the two halves.
It should look like this.
Press it so the ruffle is sticking out one way and the 2 wristband halves are the opposite way, and then gather and quarter the end of the sleeve.
This gets sewn on the same was as the wristband on the plain shirt.
Gathered and pinned, sewn over with long stitches, pins removed, sewn again with short stitches. (You can sew it just once with short stitches if you want to, I just don't like doing it with so many pins.)
Here you could understitch if you want, but with such a tiny wristband it's probably not necessary.
You can finish the inside of the wristband by hand like I did in part 2, but if you want to do it all by machine, you can! (And it works the same way for collars.)
Sew the ends right sides together as usual, and turn and press.
I clipped this much off the seam allowances, since there's so much seam allowance inside this wristband.
Make sure the edge is protruding about 2 mm past the seam all the way along. Press it and pin (or baste) it in place.
Then topstitch right along that edge, close as you can get to it without going in the seam. (There is a version where you stitch in the ditch - the pants waistbands I alter at work are done that way - but I don't recommend it for anything where there are gathers. It could squash them and make them sadder looking.)
The topstitching should have caught the edge of the underside of the wristband.
Finished wristband from the outside. |
Finished wristband from the inside. |
Now you'll need a strip of ruffle material twice as wide as you want the finished ruffles to be, plus hem allowance and seam allowance for the middle. I cut this one 14.5 cm wide, and my finished ruffles are about 6.5 cm.
Hem both edges, making sure both hems are on the same side, and cut your ruffle down to the length you want. Bosom ruffles tend to be less gathered than wrist ones, so I'm only doing 2x the length here.
Hem the ends just as before.
Run gathering stitches along all 3 lines. (If you're using 2 strips of lace you might try slightly overlapping the edges, machine basting them together, and using that as your middle row of gathering.)
The ruffle and the portion of the body with the marked line should have the quarters marked on them, just like everything else.
Then you can gather up the ruffle and pin it down, making sure to leave that 1 cm gap at either end. This should be on the outside of your shirt.
I then machine baste over top of all those lines of gathering, so I can remove the pins before adding the facing.
Draw a line down the middle of your facing, same length as the line on the body, and then a stitching line on either side of it. I did mine about 5 mm away.
And a little curve on the bottom is helpful too.
Then pin it on top and sew a very long U shape along those outer lines.
Top edge of the facing goes all the way to the top edge of the body. |
Cut it open along the middle line.
Carefully clip the little U at the bottom, so it turns smoothly.
Remove the basting holding the outer 2 rows of gathering down, and the gathering threads, and press the facing to the inside. You can leave it square if you prefer, but I think it looks much nicer if you cut it to a point.
Press all the edges in on the facing and topstitch them down.
Here, again, you could do some understitching. Probably not necessary unless your fabric is shifty and slinky though.
I would have basted this if I were using linen, but on this cotton pinning worked just fine.
I still strongly recommend doing the usual bar tack.
It's not as inconspicuous as the wrist ruffle, since the facing makes the machine work more obvious, but it still looks nice!
Intro, Video, & Hand Sewing Links
Tutorial part 1 - Pattern & Cutting
Tutorial part 2 - Construction
Tutorial part 3 - Ruffles - You are here!
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